Explore how Bob Dylan portrays transient figures in Like a Rolling Research Paper

Explore how curtsey Dylan portrays transient figures in Like a Rolling Stone, and discuss how these portrayals contribute to t - Research Paper Example bottle cork Dylan was growing up personally and evolving his music in the context of the early Beat movement at this time. However, what was an clandestine movement in the early 60s rapidly became mainstream with the Beatles and other rock groups gaining mass popularity in 1965. This transition can be seen on Bob Dylans album Bringing it Back Home (1965), which included one side of folk songs in the style he had popularized and come to be cognize by, and the other side featuring Dylans first electric guitar based rock songs. (Kemp, 2001) Thus, in the classic song Like a Rolling Stone, Dylan composed a morality tale in the style of an anthem addressed particularly to this division within the movement, discussing the different aspects involved with the mystical and revolutionary path of the electrical resistance when it meets the ma instream acceptance and propagation. Eastern Mysticism rooted in Buddhism, Taoism, Hinduism, Yoga, and Sufism was highly influential on the Beat Poets of the 1950s and forms the metaphysical basis for many of their works of lit timeture. Bob Dylan can be considered highly influenced by the Beats, and also widely read in their literature at the time. This influence can be seen in the counter-culture lifestyle promoted by Dylan in his music. As Dylan biographer Sean Wilentz wrote in a New Yorker article on the Beats titled Penetrating Aether The Beat Generation and Allen Ginsbergs America, Dylan knew the poems, Ginsberg later claimed. Someone handed me Mexico City Blues in St. Paul in 1959, Dylan told him. It blew my mind. It was the first poetry hed read that spoke his experience American language, Dylan saidor so Ginsberg said he said. Maybe, maybe not. Without question, though, Dylan read Mexico City Blues and was deeply interested in Beat makeup before he left Minneapolis for N ew York. (Like other Beats and hipsters, his friend Tony Glover ordered a paperback copy of William Burroughss Naked Lunch from France, where it had been promulgated by Olympia Press in Paris in 1959 as The Naked Lunch uncertain whether the playscript, deemed obscene by American authorities, would clear customs. The book indeed arrived, and Glover lent it to Dylan, who returned it after a couple of weeks.) And Dylans involvement with the writings of Kerouac, Ginsberg, Burroughs, and the rest of the Beat generation is nearly as essential to Dylans biography as his immersion in rock and roll, rhythm and blues, and then Woody Guthrie. I came out of the wilderness and just naturally fell in with the Beat scene, the bohemian, Be Bop crowd, it was all pretty much connected, Dylan said in 1985. It was Jack Kerouac, Ginsberg, Corso, Ferlinghetti I got in at the tail end of that and it was joke it had just as big an impact on me as Elvis Presley. (Wilentz, 2010) Rolling Stone magazine st ates that Bob Dylan was the first musician of the modern era to have his lyrics considered by critics and the public to be works of literature. (Kemp, 2001) In this regard, Bob Dylan can be considered a Beat Poet, and his music concerts were played in venues with audiences do up of